Wednesday, December 11, 2019
Historical Places in Dhaka free essay sample
Introduction Itââ¬â¢s a presentation about the important historical places of ancient Dhaka. There are so many places which are really worthy of drawing our attention. But it is a mammoth task to sort out the important one among the many more. Here we tried to highlight most of the important historical places according to their glorious past and profound impact on the later life of the people living in this arena. Such as, the description of Lalbagh Fort reminds us our glorious past when people of Bengal used to lead a happy life as the subject of Shaista Khan. Ahsan Manjil which is still standing by the mighty river Buriganga, lets us know about Nawab Khwaja Ahsanullah who was a great philanthropist, especially who paved the way of establishing of The University of Dhaka by allotting such a massive area where Dhaka University is still functioning. Sonargaon of Issa Khan presents the happy picture of Bengal during his reign when people used to live in a perpetual bondage of happy life. Hoseni Dalan, Baitul Mukarram and Star Masjid and Dhakesswari temple etc. are the religious places for people. The Central Shahid Minar near Dhaka Medical College, The National Memorial at Savar, The Suhrawardi Udyan by Dhaka University and the Martyred Intellectual Memorial at Mirpur are really the golden witness of our Liberation war which occurred in 1971. Ahsan Monjil Ahsan Manzil, Bangladesh National Museum, Dhaka, Bangladesh. Shyamal Roy says: The palace has enjoyed a varied history, starting from being Rang Mahal (of Sheikh Enayetullah, a Zamindar of Jamalpur pargana (Barisal) during the time of the Mughals) to a French trading centre. Nawab Khwaja Alimullah bought it from the French in 1830 and converted it into his residence, effecting necessary reconstruction and renovations. The final reconstruction was done by Martin. Construction The construction of the palace was begun in 1859 and completed in 1872. Abdul Ghani named it Ahsan Manzil after his son Nawab Khwaja Ahsanullah. The newly built palace first came to be known as the Rang Mahal. On April 7, 1888, a tornado caused severe damage to Ahsan Manzil Andar Mahal, the older part of the palace, was completely devastated. During the reconstruction of the Andar Mahal a good part of the palace was overhauled and repaired, and the exquisite dome of the present Rang Mahal was added. Ahsan Manzil was again damaged by an earthquake in 12 June 1897 and again repaired by the Nawab Ahsanullah. Glory days Nawab Sir Salimullah with his family in front of Ahsan Manzil In 1874, Lord Northbrook, Governor General of India attended an evening function in the palace when he came to lay the foundation of a water works installed by Nawab Abdul Ghani. In 1888, Lord Dufferin also accepted the hospitality offered at Ahsan Manzil. In 1904 Lord Curzon, on a visit to East Bengal, stayed in this palace on 18 and 19 February to win public support for the proposed Partition of Bengal. When in 1952 the Dhaka Nawab State was acquired under the East Bengal Estate Acquisition Act, it became impossible for the successors of the Nawabs to maintain the palace due to financial constraints. Nawab Khwaja Habibullah started living at Paribag Green House soon after the acquisition of the zamindari. The palace was soon on the verge of collapse as successors rented out rooms without considering its dignity. Over the years illegal occupants turned the place into a filthy slum. Recognizing the historical and architectural importance of the Ahsan Manzil, the government of Bangladesh took the initiative to renovate it. In 1985 Ahsan Manzil and its surroundings were acquired. After the completion of the renovation work in 1992 under the supervision of the Directorate of Public Works and Architecture, it was brought under the control of Bangladesh National Museum (20 September 1992). A museum has been established there. Recognizing the historical and architectural importance of the Ahsan Manzil, the government of Bangladesh took the initiative to renovate it. In 1985 Ahsan Manzil and its surroundings were acquired. After the completion of the renovation work in 1992 under the supervision of the Directorate of Public Works and Architecture, it was brought under the control of Bangladesh National Museum (20 September 1992). A museum has been established there. Lalbagh Fort The fort was long considered to be a combination of three buildings: The mosque; The tomb of Bibi Pari; and The Diwan-i-Aam, comprising two gateways and a portion of the partly damaged fortification wall. Recent excavations carried out by the Department of Archaeology of Bangladesh, however, they have revealed the existence of other structures, and it is now possible to have a more or less complete picture of the fort. In the present fort area of 18 acres (73,000 m? ), excavations have revealed the remains of either 26 or 27 structures, with elaborate arrangements for water supply, sewerage, roof gardens, and fountains. Renovation work by the Archaeology Department has now put Lalbagh Fort in a much-improved shape, and it has now become an interesting spot for tourists and visitors. Gateways 1814 painting by Charles DOyly showing the South wall, beside the Buriganga River. Now, the river flows at least a mile to the south. Of the three surviving gateways, the southern one is the most imposing. Seen from the front, it is a three-storeyed structure with a front-on, bordered with slender minarets. From inside, it gives the impression of a two-storeyed structure. The gateway on the northeast is a much smaller and simpler structure. Structural evidence indicates that the fort extended to the eastern side, beyond the present Shaista Khan Road. The third gate, now in the centre of the northern boundary wall, was left incomplete. The present one is a recent construction. Southern fortification wall The southern fortification wall, running westward from the South Gateway, stretches up to the huge bastion in the southwestern corner of the fort. It runs northward for a distance, and is then lost. The boundary wall on the eastern side, connecting the southern and northern gateways, is a modern wall, and it is now assumed that the fort originally embraced areas further east, beyond the present Shaista Khan Road. On the northern side of the southern fortification are placed utility buildings, such as the stable, the administrative block, and its western part accommodates a beautiful roof-garden, with arrangements for fountains and a water reservoir. The residential part is located on the eastern side of the western fortification, mainly to the south-west of the mosque, where the remains of a sewerage line have been found. The sout hern fortification is a twin wall: The outer one is about 6. 10 m high and 1. 37 m thick; and The inner one is 13. 7 m high with same thickness. The two are solid up to a height of 6. 10 m, and there are regular openings in the upper part of the inner wall. The original fortification wall on the south has five bastions at regular intervals, and the western wall has two. Among the seven bastions, the biggest one is near the main southern gate at the back of the stable, which occupies the area to the west of the gateway. The bastion has an underground tunnel. Among the five bastions of the southern fortification, the central one is single-storied, while the rest are double-storied structures. The central one contains an underground room with verandahs on three sides, and it can be approached either from the riverside or from its roof. The double-storeyed bastion at the southwestern corner of the fort is possibly a Hawakhana, with a water reservoir on its roof. Two lines of terracotta pipes have been found that connect all the establishments of the fort with the reservoir. An extra-strong terracotta pipe line, made with double pipes (one inside the other), has been uncovered in the area between the Hammam and the tomb of Bibi Pari. Rooftop garden The area westwards from the stable, parallel to the southern fortification, once had a beautiful roof garden with fountain, rose, flower beds (marked with star designs), and a water reservoir. The buildings underneath contains the administrative blocks, and the residential part on the western side. Central area The central area of the fort is occupied by three buildings: The Diwan-i-Aam and the Hammam on its east; The mosque on the west; and The tomb of Pari Bibi in between the two (in one line, but not at equal distance). The mosque is a three-domed mosque, with a water tank in front (on the eastern side) for ablution. A water channel, with fountains at regular interval, connects the three buildings from east to west, and two similar channels run from south to north: One through the middle of the ground, in between the Diwan-i-Aam and the tomb, forming a square tank, with fountains at the intersection with the east-west channel; and The other, from the water reservoir, passing through the bottom of the tomb. The water channels and the fountains, a very common feature of Mughal architecture, create an atmosphere, not unlike those of the north Indian Mughal forts. A big square water tank (71. 3 m each side), placed in front of and to the east of the Diwan-i-Aam, between the southern and northern gateways, adds to the beauty of the building. There are four corner stairs to descent into the tank. Diwan-i-Aam The double-storeyed Diwan-i-Aam, attached with a single-storeyed Hammam on its west, is an imposing building. The Hammam complex includes an open platform, a small kitchen, an oven, water storage a rea, a masonry brick bath-tub, a toilet, a dressing room and an extra room. The Hammam portion has an underground room for boiling water, and a passage for sweepers. A long partition wall runs north-south along the western facade of the Hammam, dividing the whole fort area into two divisions. Tomb of Bibi Pari The tomb of Bibi Pari, located in the center, is the most impressive of the surviving buildings of the fort. Eight rooms surround a central square room that contains the mortal remains of Bibi Pari. The central room is covered by a false octagonal-shaped dome, wrapped by a bronze plate. The entire inner wall of the central room is covered with white marble, while the four rooms at the sides had stone skirting up to a height of one metre. The walls in the rooms at the four corners are skirted with beautifully-glazed floral tiles. The tiles have recently been restored; two of the original tiles have been retained. The room at the south eastern corner contains a small grave, popularly known to be of that of Shamsad Begum, possibly a relative of Bibi Pari. The archaeological excavations have also revealed strata of the Sultanate, as well as of the pre-Muslim periods, from where terracotta heads and plaques have been found. Thus, it is now justified to say that though the Mughals founded Dhaka, it was definitely inhabited long before the Muslims came to Bengal. Sonargaon Sonargaon (Bangla: ; the name has also been transcribed as Sunargaon ) is the ancient capital of Isa Khans kingdom in Bengal. It is located near the current-day city of Narayanganj, Bangladesh. The great Muslim traveler Ibn Battuta visited Sonargaon in the 14th century. It is thought that when a squadron of the Chinese fleet of Zheng He, commanded by the eunuch Hong Bao, visited Bengal in 1432, they visited Sonargaon as well. The information about that expedition comes from the book of one of its participants, the translator Ma Huan. [1] Sonargaon is the eastern terminus of the Grand Trunk Road, which was built by Chandra Gupta Maurya, and later renovated by Sher Shah Suri, extended approximately 2500 kilometres from Bangladesh across northern India to Peshawar in Pakistans North-West Frontier Province. Historic places Sonargaons `Lok Shilpa Jadughar, was a part of Isa Khans capital. The Panam City was the center of the upper-middleclass people of 19th century Sonargaon. It is now in ruins. Mainly Hindu cloth merchants lived here. Musa Khans Masjid, the Mosque beside the grave of Dr. Muhammad Shahidullah in Shahidullah Hall of the University of Dhaka is a marked work and it is said that the Mosque was made by Isa Khan or son of him, Musa Khan. The Fort of Hajiganj was the main tactical fort of Isa Khan in front of Meghna, Shitalakhya and Brahmaputra. Now at Narayanganj. It is saved by the authority. There is another sister concern of the fort across the river, few miles away. Due to the many threats to preservation (including flooding and vandalism) hat this culturally and historically significant city faces, the World Monuments Fund placed it on its 2008 Watch List of the 100 Most Endangered Sites in this planet. Hoseni Dalan Hoseni Dalan, also spelt Husaini Dalan, is a Shia shrine in the old part of the Dhaka, Bangladesh. It was built in the 17th century during the Mughal era. This commemorates the martyrdom of al-Husain, grandson of the Islamic prophet Muhammad, duri ng the battle of Karbala on 10 October 680 CE. History It is said that one Sayyid Murad built the building during the Subedari (Governorship) of Shah Shuja, son of Mughal emperor Shah Jahan. Although Shuja was a Sunni Muslim he patronised Shia institutions too. Legend has it that Sayyid Murad built the building after a vision of al-Husain. Since then, the building has been enhanced and renovated many times. During the rule of the East India Company, it was repaired in 1807 and 1810. After an earthquake damaged it in 1897 it was further extended and reconstructed. Celebrations Although most of the people of Bangladesh are Sunni, there is a small number of Muslims Shia Muslims in Dhaka. During the first 10 days of Muharram, it becomes a centre of mourning and religious celebration in old Dhaka. Both the Sunni and the Shia followers join the mourning, ending in the festival of Ashura when a great procession parades through the streets. For its reconstruction, Pearu Sarder (date, unknown), contributed a vast amount of money in 1975. Baitul Mukarram Mosque The national mosque of Bangladesh, Baitul Mukarram, is situated in the heart of the busy city of Dhaka, the capital of Bangladesh. Dhaka is the largest city in Bangladesh with a population of 11 million. It is also one of the most populous cities in the world. Followers of the Islamic faith consider a mosque to be the primary place of worship where Muslims gather together for prayer. Mosques reflect traditional Islamic architecture and are recognized world-wide for their importance to the Muslim community. In addition to the importance mosques have with regard to worship and prayer, they also serve as places to learn about Islam and to meet fellow believers. With this in mind, it is clear that Baitul Mukarram, being the national mosque of Bangladesh, is of significant importance to Muslims in the area. Due to the rapid growth of the city of Dhaka in the late 1950s, the need arose for a large capacity mosque to care for the increasing Muslim population. The Baitul Makarram Mosque Society was established in 1959 to oversee the project. The land that was selected for the mosque complex is close to the central business district of the city and easily accessible. The mosque complex of Baitul Mukarram was designed by the architect T Abdul Hussain Thariani and has several modern architectural features, while still beautifully preserving the traditional principles of mosque architecture. Construction began on 27 January 1960 and has been carried out in phases. The mosque complex includes shops, libraries, offices and parking areas. The main prayer hall has an area of 26,517 square feet with an additional mezzanine floor on the eastern side which measures 1,840 square feet. The prayer hall has verandas on three of its sides. The mihrab (niche in wall of mosque showing the direction of Mecca) is rectangular instead of the more traditional semi-circular design and ornamental decoration has been kept to a minimum. The gardens with rows of fountains are beautifully maintained. The architectural style of Baitul Makarram closely resembles the famous Kaââ¬â¢abah at Mecca, distinguishing it from other mosques in Bangladesh. Jatiya Sangsad Jatiya Sangsad (Bangla: Jatio Shongshod) or National Assembly is the national parliament of Bangladesh. The current parliament of Bangladesh contains 345 seats including 45 women reserved seats distributed on elected party position in the parliament, the occupants of which are called Members of Parliament or MPs. The last 9th National Parliamentary Election was held on December 29, 2008 and, under normal conditions, elections are called every five years. The leader of the party (or alliance of parties) holding the majority of seats is the Prime Minister of Bangladesh, and so the head of the government. The President of Bangladesh, who is the ceremonial head of state, is chosen by Parliament. The parliament itself is housed in the Jatiyo Sangshad Bhaban ( Jatio Shongshod Bhobon) designed by Louis Kahn. The current majority party is the Bangladesh Awami League. Curzon Hall Curzon Hall is part of the school of science of the University of Dhaka. With its significance in education during the post independence era of Bangladesh as well as afterwards, it has become an emblem of educational tradition of the country. History Curzon Hall meant to be a town hall, was named after Lord Curzon, the Viceroy of India, who laid its foundation in 1904. A year later Bengal was partitioned and Dhaka or Dacca as it was known then, became the capital of the newly created province of East Bengal and Assam. Following the annulment of partition in 1911 it was used as a premise of Dhaka College, and after the establishment of the University of Dhaka in 1921, became part of the universitys science section and continues as such. During the Language Movement, Curzon Hall was the location of significant events. In 1948, Mohammad Ali Jinnah declared Urdu to be the only state language of Pakistan. Students of Dhaka University opposed it and in Curzon Hall, they declared their opposition to Jinnahs planned about state language policy. Architecture One of the best examples of Dhakas architecture, it is a happy blend of European and Mughal elements, particularly noticeable in the projecting facade in the north which has both horse-shoe and cusped arches. The style combined traditional art with modern technology and functions and favoured Mughal forms such as arches and domes, believed to have entered the Islamic world from the west. It marks the casting aside of veiled power after the Sepoy Revolt of 1857, and Indias passing directly under the British Crown, seeking legitimacy by linkage to the Mughals. The red colour substituting for red sandstone, and the ornate brackets, deep eaves, and domed terrace pavilions (chhatris), specially of the middle section are strikingly reminiscent of the small but well-known Diwan-i-Khas in the palace fortress of Fatehpur Sikri, Emperor Akbars capital between 1570 and 1585. Not only were both cities new capitals, but the deliberate choice of the Fatehpur Sikri style may be explained by the fact that the British favoured Akbar as the wisest and most tolerant of all the Mughals, feeding into the ideal of their own role in India Bahadur Shah Park Bahadur Shah Park is a park in Old Dhaka, Bangladesh. It is now a war memorial and a tribute to the martyrs who fought in the first liberation war or the First War of Independence against British rule. It was here that the conflicting Sepoys and their civil compatriots were publicly hanged. It was built in 1858 at the initiative of Nawab Khwaja Abdul Ghani, in the Sadarghat area, on the ruins of an old building, called Antaghar, a club house of the Armenians, then living in a large number in the neighbourhood. It was called Victoria Park until 1947. After that, it was renamed after Bahadur Shah II, the last Mughal emperor. History In late 18th century, Armenians who were living at Dhaka, used to play Billiard in a small building here. Billiard was locally called Anta and thus, the building was called AntaGhor where Ghor meant Building in Bengali. At beginning of 19th century, some British bought the AntaGhor and when it became old, the building was demolished and British built a garden which was called by local Bengalis as AntaMoidan (moidan means garden). Anta Moidan became famous in 1857 when Biritish publicly executed several Sepoys and civil people on the blame of taking part in Sepoy Mutiny. At 1858, on the occasion of Queen Victoras took control of British India, the declaration was read here and Anta Moidan was renamed as Victoria Park. At 1957, on the celebration of 100 years of Sepoy Mutiny, the victoria park was renamed as present Bahadur Shah Park, on respect to last emperor of British India Dhakeshwari Temple Dhakeshwari National Temple (Bengali: ?hakeshshori Jatio Mondir) is a famous Hindu temple in Dhaka, Bangladesh and is state-owned, giving it the distinction of Bangladeshs National Temple. The name Dhakeshwari ( hakeshshori) means Goddess of Dhaka. The temple is located southwest of the Salimullah Hall of Dhaka University. Since the destruction of Ramna Kali Mandir in 1971 by the Pakistan Army during the Bangladesh Liberation War, the Dhakeshwari Temple has assumed status as the most important Hindu place of worship in Bangladesh. History 1890 CE photograph of the four Shiva temples inside the main temple complex. The Dhakeshwari temple was built in the 12 th century by Ballal Sen, a king of the Sena dynasty, and many say the name of the city was coined after this temple. The current style of architecture of the temple cannot be dated to that period because of numerous repairs, renovations and rebuilding in its long years of existence and its present condition does not clearly show any of its original architectural characteristics. It is considered an essential part of Dhakas cultural heritage. Many researchers say that the temple is also one of the Shakti Peethas, where the jewel from the crown of the Goddess had fallen. Although there is not enough historical context in order to establish this as a fact, researchers were directed to this site while trying to locate the particular Shakti Peetha. Since ages, the temple has been held in great importance. The original 800-year old statue was destroyed during the War of 1971. The temple was further damaged during the riots of 1989/90. Location and structure The temple is located in Old Dhaka right behind the campus of Bangladesh University of Engineering and Technology (BUET), on Orphanage Road near Bakshi Bazar area. There is a permanent altar outside the main temple premises. It hosts the yearly Puja (worship) of Goddess Durga. Inside the main temple premises, there are four identical structures devoted to Lord Shiva. To the east of these is the main temple, which hosts the statue of the Goddess. Declaration as National Temple of Bangladesh In 1996, Dhakeshwari Temple was renamed Dhakeshwari Jatiya Mandir (National Temple) reflecting its position as the center of Hindu culture and worship in Bangladesh. This was the culmination of a major campaign by Bangladeshi Hindu groups who had been demanding official recognition for the primary Hindu place of worship following the declaration of Islam as the state religion in 1988. As a result, the Flag of Bangladesh is hoisted every morning outside the main temple premises, and it follows the National Flag Code rules such as rendering half-mast on nationally declared days of mourning. As is the practice in other leading religious places of worship in Bangladesh, day-long prayers are common practice during important national holidays such as Independence Day, Language Martyrs Day, Victory Day and birth and death anniversaries of popular leaders such as Sheikh Mujibur Rahman and Ziaur Rahman. Threats to temple security The Dhakeshwari Temple was severely damaged during the 1971 Bangladesh Liberation War, and over half of the temples buildings were destroyed. The main worship hall was taken over by the Pakistan Army and used as an ammunitions storage area. Several of the temple custodians were tortured and killed by the Army though most, including the Head Priest, fled to their ancestral villages and to India and therefore escaped death. A significant portion of the temple land has been lost due to the Vested Property Act and confiscation by the Bangladesh Government, and the current premises are considerably lower than the historic reach of the property. Religious and socio-cultural activities Dhakeshwari Temple is a hub of socio-cultural as well as religious activity. Each year, the largest celebration of Durga Puja (the most important event in the Bengali Hindu calendar) in Dhaka is held at the National Temple, and a stream of dignitaries (such as the Bangladeshi President, Prime Minister, Leader of Opposition, Members of Parliament and media celebrities) come to felicitate the Bangladeshi Hindu community from the temple premises. Several thousand worshippers and onlookers (including Muslims) stream through the premises where they are offered prasad (food usually rice and lentils). A Bijaya Sammelani (cultural program following Durga Puja) takes place in the adjoining parade ground a few days after Durga Puja is complete, and is also a major cultural event in the Dhaka calendar, regularly attracting some of the top performers from the Dhaka music and film industry. One of the most important events of the year is the Janmashthami procession which starts from Dhakeshwari temple and then proceeds through the streets of Old Dhaka; this occurs on the day of the Lord Krishnas birthday, which is also a national holiday in Bangladesh and second only to Durga Puja in importance in the Bengali Hindu calendar. The procession dates back to 1902 but was stopped in 1948 following the establishment of Pakistan and communal disturbances in Dhaka. The procession was resumed in 1989. Star Mosque Star Mosque Star Mosque is situated in Abdul Khairat Road, Armanitola, in the old part of Dhaka City. The mosque is not dated by any inscription. It is known that one Mirza Golam Pir, whose ancestors had come to Dhaka and settled in Mohalla Ale Abu Sayeed (present-day Armanitola), erected it. Mirza Golam Pir died in 1860, and hence the date of construction of the mosque may conveniently be placed in the first half of the 19th century. Originally it was an oblong (10. 06m ? 4. 04m) three-domed mosque. There were three mihrabs on the Qibla wall in alignment with the three doorways of the mosque, of which the central one was larger than the side ones. The prayer chamber was roofed with three domes, the central one being taller and larger than the other two. The domes are carried in the interior on squinches. The original mosque building was not as decorated as it is now. The dilapidated plain and naked wall of the western side bears witness to the plainness of the past. The three southern doorways of the mosque are no doubt the old ones. In 1926 a local businessman named Alijan Bepari added a verandah to the mosque on its eastern side, thereby almost doubling the width of the mosque without changing its original plan. Five arches were erected on four pillars on the eastern facade of the verandah. He also financed its resurfacing with delicate and richly coloured tiles of variegated patterns. In 1987 the three-domed mosque was transformed into a five-domed mosque. At present, the length and breadth of the mosque is 21. 4m and 7. 98m respectively. Some changes took place in its plan; one mihrab was demolished and two new domes and three new mihrabs were added. Five arched doorways provide entrance to the mosque. The multifoiled arches spring up from octagonal pillars. The mosque, both inside and outside, is decorated with mosaic. Small chips of Chinaware-plate, cup etc and pieces of glass have been used for mosaic. This type of mosaic is called Chini Tikri work. Vase with flowers is an important decorative motif on the spandrel of the arches and elsewhere on the facade. Flower-vases, flower branches, rosset, crescent, star, and Arabic calligraphic writing have been used in the decoration of the mosque. The outer wall between the doors are decorated with the motif of Fujisan (Mount Fuji) on glazed tiles and a crescent-and-star design decorates the upper part of the facade. Hundreds of blue stars have been created on the domes of white marble. All over the mosque the motif of stars dominate the decoration and so the mosque is called the Star Mosque (Tara Masjid). BangaBhaban The Banga Bhaban (Bengali: , lit. House of Bengal) is the official residence of the President of Bangladesh, the head of state of Bangladesh. Located in the capital Dhaka, the palace was originally the temporary official residence of the British Viceroy of India. From 1947 to 1971, it was the residence of the Gove History During the reign of the sultanate of Bengal, on the site of Bangabhaban stood the establishment of Hazrat Shahjalal Dakhini, a Sufi saint of Dhaka. The saint and his followers were killed by the agents of the sultan and buried there. The place soon became famous as a mazhar (mausoleum) for the devotees of the saint. There is a building called Manuk House within the Bangabhaban compound. It is conjectured that it belonged to an Armenian zamindar named Manuk during British Raj. Nawab Khwaja Abdul Ghani of Dhaka bought the place from Manuk and built a bungalow there, which he named as Dilkusha Garden. With the partition of Bengal in 1905, the government of East Bengal and Assam bought the real estate and constructed a palatial house to serve as temporary residence for the Viceroy of India and used for him until 1911. From 1911 to 1947, the palace was called the Governor House, and served as the temporary residence of the governor of Bengal. Following the partition of India and the establishment of Pakistan in 1947, the palace became the residence of the governor of East Pakistan. The building was severely damaged by a storm in 1961; substantial reconstruction was completed by 1964. Status One of the most important symbols of Bangladeshs government, the Bangabhaban holds a status akin to the White House in the United States and the Rashtrapati Bhavan in India. Maintained amidst extensive ceremony, the palace is an important historical landmark and the centre of media and tourist attraction. Special public ceremonies are held during Independence Day and Victory Day. The Bangladeshi president resides and works in the palace, and frequently holds meetings, conferences and state dinners for Bangladeshi politicians, intellectuals and visiting foreign heads of state. The traditions and pomp of the palace are a symbolic indication of the presidencys ceremonial superiority to other public and political institutions. Structure The Bangabhaban is a mix of British-Moghul architecture that typify many buildings of the British-era(1857ââ¬â1947) in Dhaka. With the reconstruction between 1961 and 1964, many elements of Islamic architecture and Bengali tyles were incorporated. The palace has high boundary walls on all four sides. The main building is a three-storeyed palatial complex, around which stands extensive greenery and tree cover. The floorspace of the ground floor is 6,700 square metres. The presidents residence is on the north-east corner, comprising two storeys of two suites along with five well-furnished spacious bedrooms. The presidents office , the office of the civil and military secretaries and other presidential officials, and separate rooms for audience with local and foreign visitors are also located in the ground floor. In addition, there is a cabinet room, banquet hall, darbar hall (court), state dining hall, a small auditorium and a lounge for local visitors. In addition to the presidents residence, there are five rooms for officials, a control room and a studio in the first floor. In the second floor, there are four suites for foreign heads of state and government. The Bangabhaban has an open compound of 47 acres (190,000 m2) of land. The security office, post office, bank, canteen, tailoring shop, a three-domed mosque and barracks of the presidents guard regiment are located in the vicinity of the main gate of the Bangabhaban. The residential quarters for officers and staff of the Presidents office are located in three outlying areas of Bangabhaban. There are also two bungalows one for the military secretary and the other for the assistant military secretary. National Memorial Jatiyo Sriti Soudho (Bengali: Jatio Sriti Shoudho) or National Martyrs Memorial is a monument in Bangladesh. It is the symbol of the valour and the sacrifice of those killed in the Bangladesh Liberation War of 1971, which brought the independence of Bangladesh from Pakistani rule. The monument is located in Savar, about 35km north-west of the capital, Dhaka. It was designed by Syed Mainul Hossain. History Plans for the monument were initiated right after the independence, in 1972. Following the site selection, road and land development, a nation-wide design competition was held in June, 1978. Following evaluation of the 57 submissions, Syed Mainul Hossains design was chosen. The main structure and the artificial lake and other facilities were completed in 1982. Structure The monument is composed of 7 isosceles triangular pyramid shaped structures, with the middle one being the tallest. The highest point of the monument is 150 feet. There is an artificial lake, and several mass graves in front of the main monument. National Martyrs Memorial situated at Savar, about 35 km north-west of Dhaka, symbolises the valour and sacrifice of the martyrs who sacrificed their lives for the liberation of Bangladesh. A national competition was held for the design of the project in June 1978. Among the fifty-seven competitors Architect Syed Moinul Hossains design proposal was selected. The main monument is composed of seven isosceles triangular planes each varying in size in its height and base. The highest one has the smallest base while the broadest base has the lowest height. The planes are folded at the middle and placed one after another. The highest point of the structure reaches 150 feet. This unique arrangement of the planes has created a structure that seems to change its configuration when viewed from different angles. The architect has used concrete for the monument while all the other structures and pavements of the complex are made of red bricks. Use of different materials has added to the gravity of the monument. The whole complex is spread over an area of 34 hectares (84 acres) which is again wrapped around by a green belt of 10 hectares (24. 7 acre). Several mass-graves and a reflection water body are placed in front of the monument. Once one enters the complex through the main gate he or she can see the monument axially but to reach it one has to walk through different ups and downs of pavements and cross an artificial lake by a bridge-all these represent the struggle for independence. The project was constructed in three phases. The first one, began in 1972, involved in acquiring land and constructing road for the project at a cos t of Tk 26 lacs. During the second phase, 1974 1982, Tk 3. 77 crores were spent in order to build the mass-graves, helipad, parking space, pavements etc. In the third phase, began in August 1982, the main structure was built apart from the artificial lake, green belt, cafeteria, housing etc. The third phase required Tk 848. 65 lacs. The Public Works Department of the Government of Bangladesh supervised the construction of the project. [Md Shahidul Amin and M Zakiul Islam] Shaheed Minar Shaheed Minar, or the Martyrs monument, located near Dhaka Medical College. The Shaheed Minar (Bengali: Shohid Minar) is a national monument in Dhaka, Bangladesh, established to commemorate those killed during the Language Movement demonstrations of 1952. On February 21, 1952, dozens of students and political activists were killed when the Pakistani police force opened fire on Bengali protesters who were demanding equal status to their native tongue, Bangla. The massacre occurred near Dhaka Medical College and Ramna Park in Dhaka. A makeshift monument was elected on February 23[1] by students of University of Dhaka and other educational institutions, but soon demolished on February 26[2] by the Pakistani police force. The Language Movement gained momentum and after a long struggle, Bangla was given equal status as Urdu. To commemorate the dead, the Shaheed Minar was designed and built by Hamidur Rahman, a Bangladeshi sculptor. The monument stood until the Bangladesh Liberation War in 1971, when it was demolished completely during Operation Searchlight. After Bangladesh gained independence, it was rebuilt. Today, the Shaheed Minar is the centre of cultural activities in Dhaka. Every year, the Language Movement is remembered at the monument. The first Shaheed Minar, built on February 22, 1952. It was demolished by Pakistan Police and Army four days later. The first Shaheed Minar was built immediately after the events of February 21. According to Dr. Sayeed Haider, a main planner and the designer of the first Shaheed Minar, the decision to build it was first taken by the students of Dhaka Medical College. The planning started at midnight on February 22 and the work started the next day. This Minar was sponsored by Pearu Sardar, one of the old dhaka panchayet sardars when some of the students asked his help at the midnight of 22 February to contribute the raw materials needed to build the monument. Although curfew was in place, students started building the Minar in the afternoon of February 23. They worked through the night and finished it at dawn. A hand written paper was attached to the Minar with ââ¬ËShaheed Smritistombhoââ¬â¢ written on it. The original Minar measured 10 feet (3. 0 m) by 6 feet. [3] The Minar was inaugurated by the father of Sofiur Rahman, killed during the massacre. It was demolished within a few days by the police and Pakistani Army. [4] Shaheed Minar (1963-1971) When the Awami League government came to power, it became possible to construct the new monument without fear of government retribution. Famous architect Hamidur Rahman created the design of Shaheed Minar under which construction was started in 1957. Hamidur Rahmanââ¬â¢s model was a huge complex on a large area of land in the yard of Dhaka Medical College Hostel. The enormous design included a half-circular column to symbolize the mother with her fallen sons standing on the monuments central dais. Yellow and deep blue pieces of stained glass, symbolizing eyes reflecting the sun, were also to be placed in the columns. The marble floor was designed to reflect the moving shadows of the columns. The basement of the Minar also included a 1,500-square-foot (140 m2) fresco depicting the history of the language movement. A railing decorated with Bangla alphabet was to be constructed in front. Two footmarks coloured red and black, indicating the two opposite forces, were also in the design. Besides this a museum and a library were also included in Rahmans design. A fountain shaped like an eye was also to be constructed. Rahman specifically designed the materials of the monument to withstand the areas tropical climate. Construction started in November 1957 under the supervision of Hamidur Rahman and Novera Ahmed. Most of the work, including the basement, platform, some of the columns with the rails, footprints and some of the murals were also finished when the Martial Law was introduced and construction was forced to a halt. Construction work was completed in 1963, leaving much of Rahmanââ¬â¢s design unfinished. It was inaugurated on February 21, 1963 by the mother of Abul Barkat, Hasina Begum. The Minar was severely damaged during the Bangladesh Liberation War in 1971. The columns were destroyed during the fighting. [5] The Pakistani Army crushed the Minar and placed over the rubble a signboard reading Mosque. Current Shaheed Minar The current Shaheed Minar design mainly follows the original plan of 1957. The minars are constructed with pure marble stone upon a 14 feet (4. 3 m) high stage. The stairs and railings are painted white to create a heavenly appearance. The fence on both sides is highlighted with lines from poems of famous poets in iron letters. The entrance of the monument includes two statues. The previous plan of Watch house, library and other statues were also included. The plan was again accepted on May 5, 1973 and Hamidur made a rough agreement to submit to the Purto Secretary for sanction. Previously, in February 1973, the government had hurried to repair the Shaheed Minar. As a result the Minar was constructed incorrectly. The height of the column was shorter and the head bent more than originally planned, and the proportions of different parts of the monument were not propertly maintained. Repair of the Shaheed Minar was again started during the Ershad regime. This time the main stage and the columns were unchanged, but the stairs were extended forward and the huts at the bottom of the Minar were closed. The front premise was also made higher. As a result, the area of the premises and the stairs was increased. [6] A replica of the Shaheed Minar at Altab Ali Park, in east London The large scale emigration of Bangladeshis to other parts of the globe has led to several permanent replicas of the Shaheed Minar being built outside Bangladesh. Two of these are in England. One is in Altab Ali Park, near Whitechapel and Brick Lane in Tower Hamlets, east London. The second is in the Westwood neighbourhood of Oldham, in Greater Manchester. Suhrawardy Udyan Suhrawardy Udyan (Bangla: ) formerly known as Ramna Race Course ground is a national memorial located in Dhaka, Bangladesh. It is named after Huseyn Shaheed Suhrawardy. Originally it served as the military club of the British soldiers stationed in Dhaka. It was then called the Ramna Race Course and later Ramna Gymkhana. After the end of colonial rule, the place sometimes referred to as Dhaka Race Course was used for legal horse racing on Sundays. The place is also etched in history as it was here that Sheikh Mujibur Rahman made his historic This time the struggle is for our freedom speech that inspired Bengalis to prepare for the freedom struggle. The original Flag of Bangladesh was also hoisted here for the second time since it was first unfurled at the University of Dhaka and the first time it was flown at such a large public gathering in Bangladesh. It was also the site of the centuries old Ramna Kali Mandir, a Hindu temple nd Dhaka landmark that was razed to the ground by the Pakistan Army on March 27th, 1971 in a massacre that led to the death of over 100 people. Incidentally it became the setting for the surrender of Pakistan Army under Lt. Gen. A. A. K. Niazi on December 16, 1971 after their defeat in the Bangladesh Liberation War to the allied forces of Mitro Bahini led by Jagjit Singh Aur ora. The instrument of surrender was signed at this place and the date is celebrated by Bangladeshis as Victory Day. The place is currently maintained as historic park with an eternal flame setup in 1996 to symbolize freedom. Martyred Intellectuals Memorial Martyred Intellectuals Memorial (Bengali: ) is a memorial built for the memory of the martyred intellectuals of Bangladesh Liberation War. The memorial, located at Rayerbazar, Mohammadpur Thana in Dhaka, was designed by architect Mostafa Ali Kuddus. During the entire duration of Bangladesh Liberation War of 1971, a large number of teachers, doctors, engineers, poets and writers were systematically massacred by Pakistan Army and their local collaborators, most notably the alleged Islamist militia groups Al-Badr and [Al-Shams (Bangladesh)|[Al-Shams]]. The largest number of assassinations took place on December 14, 1971, only two days before the surrender of Pakistan army to the joint force of Indian army and Mukti bahini. In the night of 14 December 1971, over 200 of East Pakistans intellectuals including professors, journalists, doctors, artists, engineers, and writers were rounded up in Dhaka. They were taken blindfolded to torture cells in Mirpur, Mohammadpur, Nakhalpara, Rajarbagh and other locations in different sections of the city. Later they were executed en masse, most notably at Rayerbazar and Mirpur. In memory of the martyred intellectuals, December 14 is mourned in Bangladesh as Shaheed Buddhijibi Dibosh (Day of the Martyred Intellectuals). Even after the official ending of the war on December 16 there were reports of hostile fire from the armed Pakistani soldiers and their collaborators. In one such incident, notable film-maker Zahir Raihan was killed on January 30, 1972 in Mirpur, allegedly by the armed Beharis of Mirpur. The number of intellectuals killed is estimated as follows: educationist 991, journalist 13, physician 49, lawyer 42, others (litterateur, artist and engineer) 16. Noted intellectuals who were killed between March 25 and December 16, 1971 in different parts of the country included Govinda Chandra Dev (Philosopher, Professor at DU), Munier Chowdhury (Litterateur, Dramatist, Professor at DU), Mufazzal Haider Chaudhury (Litterateur, Professor at DU), Anwar Pasha (Litterateur, Professor at DU), Dr. Mohammed Fazle Rabbee (cardiologist), Dr. Alim Chowdhury (ophthalmologist), Shahidullah Kaisar (journalist), Nizamuddin Ahmed (Reporter), Selina Parvin (reporter), Altaf Mahmud (lyricist and musician), Dr. Hobibur Rahman (mathematician, Professor at RU), Dhirendranath Datta (politician), Ranadaprasad Saha (philanthropist), Lt. Col. Moazzem Hossain (ex-soldier), Mamun Mahmood (Police Officer), and many others.
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